GLIMPSE OF ANCIENT YEMEN

Exhibit at Freer Sackler until August 18, 2019<

https://www.freersackler.si.edu

We often associate frankincense and myrrh with Yemen – if you wish to learn more about what was there since ancient times and what is being destroyed now, go and see this exhibit and also read this blog about

ANCIENT WOMEN SPEAK OUT – TODAY!!!!

https://www.freersackler.si.edu/ancient-women-speak-out-today/

Fascinating and sad. Looting has gone on for centuries on this crossroad of international trade between the Mediterranean region, Asia and the Middle East,  but the vicious multisided war has  now been going on since 2015 with no end in sight.

No cheers,

Elisabeth

THE HUMAN FIGURE IN ISLAMIC ART

The David Collection

THE HUMAN FIGURE IN ISLAMIC ART, The David Collection, Copenhagen
davidmus.dk

This issue has always interested and puzzled me.

There is still uncertainty with regard to attitudes about figurative art in Islamic culture. This exhibit in Denmark – now closed – tackled the delicate issue, together with a great catalogue. An article in May 2018 ASIAN ART by JULIET HIGHET and titled THE HUMAN FIGURE IN ISLAMIC ART explains what we know and what we do not know about figurative art. She reports that there is no explicit passage in the Qur’an forbidding figurative depictions of humans. It is the written traditions that are more critical on this subject; and three dimensional portrayals seem to be more objectionable than paintings because sculptures and reliefs express a greater reality of a divinely created world. We find human figures in paintings and we find and we see the Prophet’s partially hidden face together with his winged steed Buraq – often – with a female face. So what are we to believe? It might help to keep in perspective the world of politics during the early times of Islam, the Islamic revolt against Christian Byzantine symbolism, and the influence of Persian portraiture painters. Great art patrons like Akhbar and his son Jahangir and his grandson Shah Jahan all encouraged local and imported artists in their own traditions portraying more human figures. And it helped me to keep in mind that religious art and human figures in churches and temples played a great public role whereas figurative art in Islamic art was often developed for and in the private realm.

The author Juliet Highet is a writer, journalist and photographer who writes and publishes on a wide range of Arab, South Asian, East Asian and African cultures. One of her books is: Frankincense: Oman’s Gift to the World. Got to order this one….

Cheers,
Elisabeth

A JOURNEY INTO IRAQI KURDISTAN

Photo by Mark Edward Harris, Cooling off beneath the Gali Begg waterfall

Off to Erbil or Arbil in Iraqi Kurdistan – where civilization goes back 5,000 years, where one finds one of the oldest Christian monasteries, Mar Mattai clinging to the side of a mountain where some 7, 000 monks once lived during the ninth century; where the Persian King Darius III “met” Alexander the Great, -a hauntingly beautiful countryside of high mountains and low valleys, by plane one hour and 40 minutes from Amman to Arbil – what is there not to like!!!! Tour operators are counting on more and more tourists if and when the war winds down.

Next time I am in Austria …….not that far away any more……

Read the article in NYT Travel section February 4th, page one and four.

Cheers,

Elisabeth

THE SOUTHERN GATES OF ARABIA, A JOURNEY IN THE HADHRAMAUT

I seem to turn more and more to adventure, travel and explorer books- for the body, the mind and the soul.

FREYA STARK

by Caroline Moorehead
1985

THE SOUTHERN GATES OF ARABIA, A JOURNEY IN THE HADHRAMAUT

by Freya Stark with introduction by Jane Fletcher
1936/2001

The two books by and about Freya Stark born in Paris 1893 I am reading again. Freya Stark fearlessly traveled alone to Persia, Iraq, sailed down the Red Sea following the ancient frankincense trail, and followed in the steps of Alexander the Great. She was an explorer, a historian, an archeologist and a writer in between working in places like Baghdad and sleeping in the tents of Bedouins. She was made Dame of the British Empire in 1972.

Where should we go next?

Cheers,

Elisabeth

 

THE NINE DOMES MOSQUE in Afghanistan

 

A 9th century mosque in northern Afghanistan in Balkh province ca. 12 miles west of Mazar-i-Sharif. Discovered or re-discovered in 1960 by an American archaeologist but not excavated and inspected until 2006. We know that Genghis Khan and many earthquakes destroyed many monuments in Balkh province.

Carbon dating and historical sources suggest that the mosque could have been built as early as 794 – Julio Sarmiento-Bendezu, director of the French Archeological Delegation in Afghanistan, the leader of the excavations said that this early date means that the mosque of the (Persian) Abbasid Empire has been influenced by Afghanistan and not the other way around. The mosque would have once been studded with lapis lazuli and turquoise.

Would it not be nice if we could visit the mosque and travel through Afghanistan again as some of us were able to do before the wars started.

Cheers,

Elisabeth

CLAREMONT RUG COMPANY IN OAKLAND

 

https://www.claremontrug.com/50-best-of-their-type-2017/

CLAREMONT RUG COMPANY IN OAKLAND

This is an exhibition temporarily displayed on the website of Claremont Rug Company showing the top quality carpets they have sold during the previous year.

A total of fifty carpets dating from ca. 1800 to ca. 1875 in a variety of designs of Persian and Caucasian styles. While most carpets would be for billionaire buyers I get pleasure from seeing and admiring and learning about the best of the best. And I am happy to see an increase of antique Oriental rugs used as wall art and space dividers. “Regular” rug enthusiasts like me have always used very modest rugs as cover for my display desk, on a table and on the wall like my old Heriz – a baptismal present from my grandmother.

Cheers,

Elisabeth

THREE EXHIBITS AT THE MUSEUM OF FINE ARTS IN HOUSTON

MODERNISM ON THE GANGES: RAGHUBIR SINGH PHOTOGRAPHS

https://www.mfah.org/exhibitions/modernism-on-the-ganges-raghubir-singh-photographs

March 3 – June 3, 2018

Raghubir Singh, born in Jaipur (1942-1999) lived in Asia and Europe and often returned to his native India. In 90 images and over a thirty year period, Singh who was influenced by Cartier-Bresson, photographed often with a hand-held camera in color everyday life and festivals. One of my favorite is the one showing the Professional Lunch Distributor or Dhabadwallah with his tiffin boxes.

BESTOWING BEAUTY:MASTERPIECES FROM PERSIAN LANDS

https://www.mfah.org/exhibitions/bestowing-beauty-masterpieces-persian-lands

Through February 11, 2018

Comprising some 100 works of art from the 6th to the 19th century on view to the public for the first time, from the Hossein Afshar Collection, one of the most important collections of Persian art in private hands……..does anybody have information about Hossein Afshar?

 

PEACOCK IN THE DESERT: THE ROYAL ARTS OF JODHPUR, INDIA

https://www.mfah.org/exhibitions/peacock-in-desert-royal-arts-jodhpur-india

March 4 – August 19, 2018

Masterpieces never before seen outside the palace walls of the kingdom of Marwar-Jodhpur in Rajasthan, covering four centuries of sumptuous jewels, arms and armor, intricately carved furnishings, a monumental 17th century court tent, paintings and textiles – all together some 250 objects from Indian courtly life together with large scale photo murals will be shown.

Exhibit runs concurrent with Raghubir Singh’s photo exhibit it.

PERSIAN LIME STONE RELIEF FRAGMENT FROM PERSEPOLIS SEIZED BY MANHATTAN DISTRICT ATTORNEY FROM A DEALER EXHIBITING AT TEFAF NEW YORK IN OCTOBER 2017. VALUED AT $ 1.2mil.

Dealers and clients have almost become used to accusations of cultural property thefts – but something that has been in the public eye and displayed at a museum for some sixty years?

Read the article in the Antiques Trade Gazette.

https://www.antiquestradegazette.com/news/2017/persian-limestone-sculpture-seized-by-police-from-antiquities-dealer-at-tefaf-new-york/

Cheers,

Elisabeth

ASIA SOCIETY TEXAS CENTER IN HOUSTON

http://asiasociety.org/texas/exhibitions/wondrous-worlds-art-islam-through-time-place

Wondrous Worlds: Art & Islam Through Time & Place

9 September 2017 – 25 February 2018

Featuring more than 100 outstanding works of art, Wondrous Worlds: Art & Islam through Time & Place will showcase the long history, vast geographic expanse, and amazing diversity of works of art in the Islamic world.

Two factors distinguish this exhibition: first, the inclusion of works from Southeast Asia and East and West Africa, areas largely overlooked in most exhibitions of Islamic art; and second, modern and contemporary works are featured side-by-side with historic objects.

Works in the exhibition cover nearly all media, ranging from carpets to dress to jewelry, ceramics, glass, metal, paintings, prints, calligraphy and photographs. This exhibition will delight viewers with dazzling works that span over 1,400 years of artistry.

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 This exhibition is organized by the Newark Museum.

Nationally, the exhibition is funded by the National Endowment for the Humanities. Exhibitions at Asia Society Texas Center are presented by Wells Fargo. Major support comes from Chinhui Juhn and Eddie Allen, Nancy C. Allen, Leslie and Brad Bucher, the City of Houston through Houston Arts Alliance and the Anchorage Foundation. Generous funding also provided by The Clayton Fund, Kathy and Glen Gondo, Ann Wales, and through contributions from the Friends of Asia Society, a premier group of individuals and organizations committed to bringing exceptional exhibitions and programming to Asia Society Texas Center. （Asia Society)

Cheers,
Elisabeth

PEARLS ON A STRING

PEARLS ON A STRING: ARTISTS, PATRONS & POETS AT THE GREAT ISLAMIC COURTS

February 26 – May 8, 2016

 

ASIAN ART MUSEUM 

 

San Francisco  www.asianart.org

http://www.asianart.org/exhibitions/pearls-on-a-string

I have  always been interested in who and what fueled the high artistic achievements  of the Islamic world from the 16th through the 18th century  –  a time when the global movement of people and their ideas not only tolerated but furthered a cosmopolitan society that was very much inclusive.  Some sixty-four art works, including textiles, paintings, manuscripts, sculpture, metalwork and jeweled objects show us the way through 16th century Mughal India, 17th century Safavid Iran and 18th century Ottoman Turkey.

We follow the lead of a writer,  an artist and a patron.

The writer and historian  Abu’l Fazl ibn Mubarak (1551-1602) was employed at the court of Akbar the Great (ruled 1556-1602) as a writer, an advisor, scholar and chief secretary. His interest in religious sciences and philosophy resonated with the liberal sentiments of Akbar who surrounded himself with Jews, Hindus, Muslims and Christians.

 I have always been partial to Akbar the Great ever since visiting Fatehpur Sikri in India and visiting his grandfather’s (Emperor Babur the Tiger) tomb and garden in Kabul. And below my favorite portrait of Akbar.

The artist and painter Muhammad Zaman ibn Haji Yusuf (active 1670-1700) at the Safavid court of Shah Sulayman (reigned 1666-1694) worked  in the cosmopolitan city of Isfahan. He is credited with dramatically changing the style of Persian painting by incorporating European  linear perspective and  contrasting light and shadow.

The great sponsor of the arts Sultan Mahmud I (ruled 1730-1754), the ruler of the Ottoman Empire brought merchants, artisans and the forerunners of engineers to cosmopolitan Istanbul to become personally involved with artistic commissions in the field of architecture, art and engineered and jeweled objects.

Enjoy this journey through once cosmopolitan countries – no longer so accessible to us.

Cheers,

Elisabeth and Natasha